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Poster for The Golem
Poster: Hans Poelzig · public domain

The Golem (1920)

Paul Wegener, Paul Wegener, Carl Boese, Albert Steinrück, Lyda Salmonova · 1920 · 91 min

Yours to keep

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Download size
2.24 GB
Included
1 file · M4V
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Our current edition. First verified print, watched and confirmed. Read the print report.

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The Feature

A rabbi in the Prague ghetto shapes a man out of clay and animates him to protect his people, and the clay man does not stay obedient. Paul Wegener directed and played the Golem himself, in the third and only surviving film of his trilogy. Hans Poelzig's warped, organic architecture is the real achievement. Whale's Frankenstein owes it directly — the heavy tread, the child by the water, the fear of the thing you made.

The copy we chose

Print Report

Chosen print (2026-08-23): Archive.org item the-golem-1920 — 1424x1072 @ 4.2 Mbps, 2.41 GB, 76.2 min.

Selected by a catalogue-wide print sweep, which scores candidates on resolution and bits per pixel and rejects broadcast captures, AI upscales, colorised and frame-interpolated copies, wrong cuts, and frames whose shape the film never had. The downloaded file was verified byte-for-byte against Archive.org's published size and MD5, and the torrent was generated from that exact file.

Silent-era runtimes are advisory — projection speed was never standardised, so the same print runs materially longer or shorter depending on the transfer's frame rate. Runtime was weighed accordingly rather than used as a hard filter.

Watched end to end (2026-08-25). The bytes prove we fetched the file the report names; the watch confirmed it is the right print.

Public Domain

Why It's Free

Public domain in the United States by expiry of the full copyright term: published 1920, and every work published that year entered the US public domain on January 1, 2016, at the end of the 95-year term — renewal history is moot. As a German import the URAA restoration question is documented rather than waved at: even where the URAA restored a foreign work's US copyright, the restored term is the same 95 years from publication, and it has equally expired. No route back to protection exists for the film itself. The picture and its accompaniment are verified separately: whatever score the chosen print carries is a separate work on its own clock, cleared at print selection and documented in the Print Report before this page ships a torrent.

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