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Nicky Apple’s Buba Calinou is framed by Enough Records as a departure from its darker ambient material, with a playful imaginary journey through the mind of a teddy bear. The Canadian artist’s ten-piece sequence begins …
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The birth of American crime cinema in the postwar years—stories of ordinary people caught in moral tangles with no way out. Poverty-row des…
15 of 15 in the stash
Before horror had a voice it had shadows, and it turned out shadows were enough. These are the films that invented the vocabulary — the lea…
10 of 12 in the stash
The fever dreams of the 1950s and early 1960s—when America looked at the atom and imagined monsters. Drive-in horror and sci-fi from the er…
16 of 16 in the stash
Twelve or fifteen chapters, one a week, each ending with the hero in a situation nobody could survive — and each next week beginning with t…
4 of 7 in the stash
Start with one composer and two instruments. Kimiko Ishizaka’s piano recordings place the Goldberg Variations beside Book 1 of the Well-Tem…
3 of 3 in the stash
A compilation is a useful first stop when the artist names are unfamiliar. Monotonik’s first and third compilations gather stretches of its…
3 of 3 in the stash
Four Grateful Dead concerts, one San Francisco venue, from June 1975 through New Year’s Eve 1978. The 1975 program includes the Help on the…
4 of 4 in the stash
