Live at Fillmore West on 1970-06-04 (1970)

Grateful Dead · 1970 · 211 min

The June 4 Fillmore West package includes acoustic and electric Grateful Dead material together with a New Riders of the Purple Sage sequence. The acoustic portion reaches “Uncle John's Band,” after which songs such as “Working Man's Blues,” “Portland Woman” and “Henry” occupy the companion band's section. The later Dead program includes “Casey Jones,” “Attics of My Life,” “It's a Man's World” and “Good Lovin',” with “St. Stephen” leading toward “Not Fade Away.” Gerry Olsen's recollections and the remaster notes describe audience conversation, snack-bag noise, cuts and stage distortion. The forty-four-file package is therefore a mixed evening document, not a single uninterrupted Dead set.

Selected edition: 44-file source edition; Gerry Olsen's Sony F-99S/TC-124 cassette source was transferred through a modified Nakamichi BX-1 and Tascam DR-07MK2, then DC8 processing. Original liner text assigns tracks 12–28 to NRPS, names guests and says Southern Comfort is unavailable. The mixed-band scope, cuts and residual distortion remain explicit. from the documented source. 44 audio files, 1,292,408,771 bytes and 211:02 of measured audio.

Verification: source size and MD5; full audio decode; every torrent piece. The seedbox copy matched every file’s SHA-256 and every torrent piece; all files passed public HTTPS range, length and byte checks. The house client verified the complete payload and is seeding it.

Selected the source’s complete 44-recording FLAC edition in its documented file order.

Gerry Olsen's Sony F-99S/TC-124 cassette source was transferred through a modified Nakamichi BX-1 and Tascam DR-07MK2, then DC8 processing. Original liner text assigns tracks 12–28 to NRPS, names guests and says Southern Comfort is unavailable. The mixed-band scope, cuts and residual distortion remain explicit. Primary source and edition notes.

Source limits: Source recording/transfer: Audience Recording by Gerry Olsen. Sony TC-124 single-capstan portable cassette deck equipped with Sony F-99S One Point Stereo Dynamic Microphone IMP LOW (hand-held). 120 minute BASF normal bias tape. Lineage via Dan McDonald ([email protected]): Master Audience Cassette->Nakamichi BX-1 (modified for flat transfer)-> Tascam DR-07MK2 (24-bit, 96kHz); DC8Forensics was used to apply the NAB curve for normal bias cassettes. Converted to 16-bit, 44.1kHz using 32-bit interpolation and a triangular high pass dither. After the NAB curve in a multifilter I applied a virtual vale and overtone generator for lost harmonics and used a channel blender to blend below 150 Hz to mono to minimize mic handling noise.

These are source and file checks; no comparative listening assessment is claimed.

Source declaration: Artist permission; noncommercial. Source evidence.

Hosting this entry was approved by the owner on October 6, 2026. The source declaration remains unchanged.