
Live at McArthur Court, U of Oregon on 1978-01-22 (1978)
Yours to keep
Take It Home
- Download size
- 916.36 MB
- Included
- 21 files
- Added to the stash
Our current edition. 21-file source edition; AKG D224E microphones fed Sony TC-158SD cassette masters, with Hohlwein, Menke and Egert credited for taping/transfer/mastering. Korg DSD preservation preceded 24-bit/96 kHz WAV. Eight seconds of Bertha and five seconds of St. Stephen use alternate sources, the latter an unreleased Pat Lee recording. Read the transfer report.
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The Record
The Grateful Dead's McArthur Court set places a “Close Encounter Space” passage between “The Other One” and “St. Stephen,” giving the second half a distinctive source-labeled turn. “Terrapin Station” and drums precede it, while “Not Fade Away” and “Around and Around” follow. The earlier set begins with “Minglewood Blues” and “Dire Wolf,” includes “Cassidy,” “Peggy-O” and “Jack Straw,” and ends with “The Music Never Stopped.” “Bertha”/“Good Lovin'” starts set two, with “U.S. Blues” as the encore. Two very short patches preserve openings in the selected audience edition without changing its overall cassette provenance.
Release details
- Release
- Live concert
- Genre
- Live / Psychedelic rock
- Recorded
- 1978-01-22
- Edition
- 21-file source edition; AKG D224E microphones fed Sony TC-158SD cassette masters, with Hohlwein, Menke and Egert credited for taping/transfer/mastering. Korg DSD preservation preceded 24-bit/96 kHz WAV. Eight seconds of Bertha and five seconds of St. Stephen use alternate sources, the latter an unreleased Pat Lee recording.
- Venue
- McArthur Court, U of Oregon
- Location
- Eugene, OR
- Source license
- Artist permission; noncommercial
- Running time
- 166:21
Recording source: Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG D224E's => Sony TC 158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Adam Egert
Tracklist
- Minglewood Blues
- Dire Wolf
- Cassidy
- Peggy-O
- El Paso
- Tennessee Jed
- Jack Straw
- Row Jimmy
- Music Never Stopped
- Bertha >
- Good Lovin'
- Ship of Fools
- Samson & Delilah
- Terrapin Station >
- Drums >
- The Other One >
- Close Encounter Space >
- St. Stephen >
- Not Fade Away >
- Around & Around
- U.S. Blues
The copy we chose
Transfer Report
Selected edition: 21-file source edition; AKG D224E microphones fed Sony TC-158SD cassette masters, with Hohlwein, Menke and Egert credited for taping/transfer/mastering. Korg DSD preservation preceded 24-bit/96 kHz WAV. Eight seconds of Bertha and five seconds of St. Stephen use alternate sources, the latter an unreleased Pat Lee recording. from the documented source. 21 audio files, 960,876,384 bytes and 166:21 of measured audio.
Verification: source size and MD5; full audio decode; every torrent piece. The seedbox copy matched every file’s SHA-256 and every torrent piece; all files passed public HTTPS range, length and byte checks. The house client verified the complete payload and is seeding it.
Selected the source’s complete 21-recording FLAC edition in its documented file order.
AKG D224E microphones fed Sony TC-158SD cassette masters, with Hohlwein, Menke and Egert credited for taping/transfer/mastering. Korg DSD preservation preceded 24-bit/96 kHz WAV. Eight seconds of Bertha and five seconds of St. Stephen use alternate sources, the latter an unreleased Pat Lee recording. Primary source and edition notes.
Source limits: Source recording/transfer: Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG D224E's => Sony TC 158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Adam Egert.
These are source and file checks; no comparative listening assessment is claimed.
Why It's Free
Source declaration: Artist permission; noncommercial. Source evidence.
Hosting this entry was approved by the owner on October 6, 2026. The source declaration remains unchanged.
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